A.
Merritt - Some Ideas and Descriptions From His Stories
SPOILER
WARNING!
If
you have not read this story TURN BACK NOW! or risk losing forever the
unspoiled appreciation of A. Merritt 's prose.
Inspired
by the rules and setting of the Astonishing Swordsmen and Sorcerers of
Hyberborea boxed set Forum I have begun sifting through my collection of A.
Merritt for ideas.
1).
The People of the Pit
Blue
Shaft of Light - [MON]
The
City in the Pit - [TWN]
Eblis
- [NPC]
Fear
Dust - [ITM]
Five
Peaks - [MT]
Frozen
Hand of Cloud - [ITM]
Gate
of Ghouls - [PLC]
Gateway
to the Pit - [GTE]
Ghosts
of Winds - [MON]
Golden
Band - [ITM]
The
Green Stairway [PLC]
Lao
T'zai - [NPC]
People
of the Pit - [MON]
The
Pit - [PLC]
Sanctuary
Caves - [PLC]
Shan
Nadour - [NPC]
Snaky
Red Trees - [ITM]
Thick
White Liquid - [ITM]
The
Thing in the Pit - [MON][Deity]
Whispering
- [SPL]
Blue
Shaft of Light -
Five
Peaks -
"North
of us a shaft of light shot half way to the zenith. It came from behind the
five peaks. The beam drove up through a column of blue haze whose edges were
marked as sharply as the rain that streams from the edges of a thunder cloud.
It was like the flash of a searchlight through an azure mist. It cast no
shadows.
As
it struck upward the summits were outlined hard and black and I saw that the
whole mountain was shaped like a hand. As the light silhouetted it, the
gigantic fingers stretched, the hand seemed to thrust itself forward. It was
exactly as though it moved to push something back. The shining beam held steady
for a moment; then broke into myriads of little luminous globes that swung to
and fro and dropped gently. They seemed to be searching."
Fear
Dust -
Lao
T'zai -
"My
mouth was as dry as though Lao T'zai had poured his fear dust down my
throat."
Eblis
-
Frozen
Hand of Cloud -
Gate
of Ghouls -
Shan
Nadour -
"It
makes me think of the frozen hand of cloud that Shan Nadour set before the Gate
of Ghouls to keep them in the lairs that Eblis cut for them."
Ghosts
of Winds -
Whispering
-
"From
the North and high overhead there came a whispering. It was not the rustling of
the aurora, that rushing, crackling sound like the ghosts of winds that blew at
Creation racing through the skeleton leaves of ancient trees that sheltered
Lilith. It was a whispering that held in it a demand. It was eager. It called
us to come up where the beam was flashing. It drew. There was a note of inexorable
insistence. It touched my heart with a thousand tiny fear-tipped fingers and it
filled me with a vast longing to race on and merge myself in the light. It must
have been so that Ulysses felt when he strained at the mast and strove to obey
the crystal sweet singing of the Sirens."
Golden
Band -
""I
was filing the band about the waist. It was gold, but it was like no gold I had
ever handled. Pure gold is soft. This was soft, but it had an unclean, viscid
life of its own. It clung to the file. I gashed through it, bent it away from
the body and hurled it far off. It was - loathsome!"
"...I
saw that around my waist had been fastened a yellow ring of metal. From it hung
a chain and this chain passed up over the lip of the high ledge. I was chained
to the altar..."
Gateway
to the Pit -
People
of the Pit -
The
Pit -
""The
people of the pit," he said. "Things that the Devil made before the Flood
and that somehow escaped God's vengeance. You weren't in any danger from them -
unless you had followed their call. They can't get any further than the blue
haze. I was their prisoner," he added simply. "They were trying to
whisper me back to them!""
""The
road passed between two high rocks that raised themselves like a gateway."
The
crawling man paused.
"They
were a gateway," he said. "I reached them. I went between them. And
then I sprawled and clutched the earth in sheer awe! I was on a broad stone
platform. Before me was a sheer space! Imagine the Grand Canyon five times as
wide with the bottom dropped out. That was what I was looking into. It was like
peeping over the edge of a cleft world down into the infinity where the planets
roll! On the far side stood five peaks. They looked like a gigantic warning
hand stretched up to the sky. The lip of the abyss curved away on each side of
me.
"I
could see down perhaps a thousand feet. Then a thick blue haze shut out the eye.
It was like the blue you see gather on the high hills at dusk. And the pit - it
was awesome; awesome as the Maori Gulf of Ranalak, that sinks between the
living and the dead and that only the freshly released soul has the strength to
leap - but never strength to cross again.
"I
crept back from the verge and stood up, weak. My hand rested against one of the
pillars of the gateway. There was carving upon it. It bore in still sharp
outlines the heroic figure of a man. His back was turned. His arms were
outstretched. There was an odd peaked headdress upon him. I looked at the
opposite pillar. It bore a figure exactly similar. The pillars were triangular
and the carvings were on the side away from the pit. These figures seemed to be
holding something back. I looked closer. Behind the outstretched hands I seemed
to see other shapes.
"I
traced them out vaguely. Suddenly I felt unaccountably sick. There had come to
me an impression of enormous upright slugs. Their swollen bodies were faintly
cut - all except the heads which were well marked globes. They were -
unutterably loathsome. I turned from the gates back to the void.""
"I
can't describe those carvings! No human being could - the human eye cannot
grasp them any more than it can grasp the shapes that haunt the fourth
dimension. Only a subtle sense in the back of the brain sensed them vaguely.
They were formless things that gave no conscious image, yet pressed into the
mind like small hot seals - ideas of hate - of combats between unthinkable
monstrous things - victories in a nebulous hell of steaming, obscene jungles -
aspirations and ideals immeasurably loathsome -"
"...the
haze began to thicken and glow; the cylinders shine more brightly. I knew that
it was dusk in the world above and I felt that with dusk my time of peril had
come; that the thickening haze was the
signal for the awakening of whatever lived in this pit."
"...There
began to grow around me a murmur. It was everywhere - and it grew and grew into
a great whispering. I peeped from the side of the stone down into the street. I
saw lights passing and repassing. More and more lights - they swam out of the circular
doorways and they thronged the street. The highest were eight feet above the
pave; the lowest perhaps two. They hurried, they sauntered, they bowed, they
stopped and whispered - and there was nothing under them!"
"...
that was the terrible part of it - there was nothing under them. Yet certainly
the lights were living things. They had consciousness, volition, thought - what
else I did not know. They were nearly two feet across - the largest. Their
center was a bright nucleus - red, blue, green. This nucleus faded off,
gradually, into a misty glow that did not end abruptly. It too seemed to face
off into nothingness - but a nothingness that had under it a somethingness. I
strained my eyes trying to grasp this body into which the lights merged and
which one could only feel was there, but could not see."
"...Something
cold, and thin like a whip touched my face. I turned my head. Close behind were
three of the lights. They were a pale blue. They looked at me - if you can
imagine lights that are eyes. Another whiplash gripped my shoulder. Under the
closest light came a shrill whispering. I shrieked. Abruptly the murmuring in
the street ceased. I dragged my eyes from the pale blue globe that held them
and looked out - the lights in the streets were rising by myriads to the level
of where I stood! There they stopped and peered at me. They crowded and jostled
as though they were a crowd of curious people - on Broadway. I felt a score of
the lashes touch me -"
"...And
now the reddish mottled gleam began to deepen. Outside arose the humming and
through the circle that was the entrance came streaming the globes. They ranged
themselves in ranks until they filled the Temple. Their whispering grew into a
chant, a cadenced whispering chant that rose and fell, rose and fell, while to
its rhythm the globes lifted and sank, lifted and sank."
"...All
that night the lights came and went - and all that night the chant sounded as
they rose and fell..."
"...The
red glow faded, the lights streamed out; the whispering died. I was again alone
and I knew that once again day had broken..."
"...the
lights came again. All through the night the whispering chant sounded, and the
globes rose and fell. The chant seized me. It pushed through me until every
nerve and muscle quivered to it. My lips began to quiver. They strove like a
man trying to cry out on a nightmare. And at last they too were whispering the
chant of the people of the pit. My body bowed in unison with the lights - I
was, in movement and sound one with the nameless things while my soul sank back
sick with horror and powerless. While I whispered I - saw Them!"
"...Saw
the lights?" I asked stupidly.
"...Saw
the Things under the lights," he answered. Great transparent snail-like
bodies - dozens of waving tentacles stretching from them - round gaping mouths
under the luminous seeing globes. They were like ghosts of inconceivably
monstrous slugs! I could see through them. And as I stared, still bowing and
whispering, the dawn came and they streamed to and through the entrance. They
did not crawl or walk - they floated! They floated and were - gone!""
The
Green Stairway -
""A
stairway led down into the pit..."
"...it
seemed not so much carved out of the rock as built into it. The slabs were
about six feet long and three feet wide. It ran down from the platform and
vanished into the blue haze."
"...I
went down the stairway..."
"The
steps ran along the side of the rock at a forty degree pitch. As I went down I
studied them. They were of a greenish rock quite different from the granite
porphyry that formed the wall of the precipice. At first I thought the builders
had taken advantage of an outcropping stratum, and had craved from it their
gigantic flight. But the regularity of the angle at which it fell made me
doubtful of this theory."
"After
I had gone perhaps half a mile I stepped out upon a landing. From this landing
the stairs made a V shaped turn and ran on downward, clinging to the cliff at
the same angle as the first flight; it was a zig-zag, and after I had made
three of these turns I knew that the steps dropped straight down in a
succession of such angles. No strata could be so regular as that. No, the
stairway was built by hands!""
"...A
few feet beneath me the stairway jutted out into a Titanic arch, unearthly as
the span that bridges Hell and leads to Asgard. It curved out and down and
straight through the top of the highest pile of carven cylinders and then it
vanished through it. It was appalling - it was demonic - ..."
"...I
crossed the span. I went down through the top of that - building. Blue darkness
shrouded me for a moment and I felt the steps twist into a spiral. I wound down
them..."
Sanctuary
Caves -
"At
regular intervals I had passed the mouths of small caves. There would be two
thousand steps and then an opening, two thousand more steps and an opening -
and so on and on. Late that afternoon I stopped before one of these clefts. I
suppose I had gone then three miles down the pit, although the angles were such
that I had walked in all fully ten miles. I examined the entrance. On each side
were carved the figures of the great portal above, only now they were standing
face forward, the arms outstretched as though to hold something back from the
outer depths. Their faces were covered with veils. There were no hideous shapes
behind them. I went inside. The fissure ran back for twenty yards like a
burrow. It was dry and perfectly light. Outside I could see the blue haze rising
upward like a column, its edges clearly marked. I felt an extraordinary sense
of security, although I had not been conscious of any fear. I felt that the
figures at the entrance were guardians - but against what?""
The
City in the Pit -
Snaky
Red Trees -
""There
is a city you know. But not such a city as you have ever seen - nor any other
man who has lived to tell of it. The pit, I think, is shaped like a bottle; the
opening before the five peaks is the neck. But how wide the bottom is I do not
know - thousands of miles maybe. I had begun to catch little glints of light
far down in the blue. Then I saw the tops of -
trees, I suppose they are. But not our kind of trees - unpleasant, snaky
kind of trees. They reared themselves on high thin trunks and their tops were
nests of thick tendrils with ugly little leaves like arrow heads. The trees
were red, a vivid angry red. Here and there I glimpsed spots of shining yellow.
I knew these were water because I could see things breaking through the surface
- or at least I could see the splash and ripple, but what it was that disturbed
them I never saw."
"Straight
beneath me was the - city. I looked down upon mile after mile of closely packed
cylinders. They lay upon their sides in pyramids of three, of five - of dozens
- piled upon each other. It is hard to make you see what that city is like -
look, suppose you have water pipes of a certain length and first you lay three
of them side by side and on top of them you place two and on these two one; or
suppose you take five for a foundation and place on these four and then three,
then two and then one. Do you see? That was the way they looked. But they were
topped by towers, by minarets, by flares, by fans, and twisted monstrosities.
They gleamed as though coated with pale rose flames. Beside them the venomous
red tress raised themselves like the heads of hydras guarding nests of gigantic,
jeweled and sleeping worms!"
"...I
was standing high up in - I can't tell you in what, I'll have to call it a
room. We have no images for what is in the pit. A hundred feet below me was the
floor. The walls sloped down and out from where I stood in a series of widening
crescents. The place was colossal - and it was filled with a curious mottled
red light. It was like the light inside a green and gold flecked fire opal. I
went down to the last step. Far in front of me rose a high, columned altar. Its
pillars were carved in monstrous scrolls - like mad octopuses with a thousand
drunken tentacles; they rested on the backs of shapeless monstrosities carved
in crimson stone. The altar front was a gigantic slab of purple covered with
carvings."
"...I
was out on a street that stretched on into dim distance between rows of the
carven cylinders."
"Here
and there the red trees arose. Between them rolled the stone burrows. And now I
could take in the amazing ornamentation that clothed them. They were like the
trunks of smooth skinned trees that had fallen and had been clothed with high
reaching noxious orchids. Yes - those cylinders were like that - and more. They
should have gone out with the dinosaurs. They were - monstrous. They struck the
eyes like a blow and they passed across the nerves like a rasp. And nowhere was
there sight or sound of living things."
"There
were circular openings in the cylinders like the circle in the Temple of the
Stairway. I passed through one of them. I was in a long, bare vaulted room
whose curving sides half closed twenty feet over my head, leaving a wide slit
that opened into another vaulted chamber above. There was absolutely nothing in
the room save the same mottled reddish light that I had seen in the
Temple..."
The
Thing in the Pit -
""And
as I stood I grew aware of something that lay behind the lip of the altar fifty
feet above me. I knew it was there - I felt it with every hair and every tiny
bit of my skin. Something infinitely malignant, infinitely horrible, infinitely
ancient. It lurked, it brooded, it threatened and it was - invisible!"
"Behind
me was a circle of blue light. I ran for it. Something urged me to turn back,
to climb the stairs and make away. It was impossible. Repulsion for that unseen
Thing raced me onward as though a current had my feet.""
Thick
White Liquid -
""...I
saw beside one of the pillars a yellow bowl filled with a thick white liquid. I
drank it. If it killed I did not care. But its taste was pleasant and as I
drank my strength came back to me with a rush..."
ADVENTURE
IDEAS:
I
have already used some of these ideas in the post titled: Listener to the
Sphinx, but there is so much material in this short story that I barely touched
on what can be done with it.
In
'Listener to the Sphinx' I touched on the great stairway leading down into an
abyss and the caves as both sanctuaries and portals to other times and places,
other worlds, other dimensions. After sorting through all the ideas in 'The
People of the Pit' I will be expanding on these for my campaign.
The
great stairway will lead to the City in the Pit, the Slug-like creatures that
can whisper and charm a man to be their slave, and the great Unseen
Deity/Monster that they worship. The stairway acts as a portal and leads to a
rift between dimensions that these Slug Beasts inhabit. They are constantly
seeking slaves and sacrifices to their Unseen god but have been unable to
ascend the stairway itself. The wards are fading though, and expeditions of
these creatures will soon be seen on the surface of Hyperborea.
The
Thick White Liquid is the sap from the Snaky Red Trees. It strengthen and heals
any human but weakens their ability to resist the charmed whispering of the
creatures.
The
Golden Band is both an enchanted item and a living creature fashioned from the
body of a living Slug Beast. It acts to enhance the enthrallment of their
slaves so that they will do their bidding even at the cost of their own lives.
The
Slug Beasts range in power according to the light of they emit from their
heads. Purple is the weakest while Red light is emitted from the strongest of
these monsters. They have the ability to float, though not at great speed
unless close to a surface. They can even float quite fast across a liquid
surface, but are very slow if flying above. Their main power is their ability
to charm creatures and people. The more Slug Beasts who concentrate their power
together, the stronger the charm. Otherwise they are able to conduct physical
attacks with the whip like tentacles each possess. Damage is slight but these
tentacles have the power to stun or paralyze an opponent. The weakest of the
Slug Beasts require multiple strikes with their tentacles in order to stun.
Those who project the purple light can only attack with 3 tentacles at a time,
but the strongest can strike with 18 tentacles (they all possess 20 tentacles
ringed about their body). These tentacles are surprisingly delicate and can be
destroyed with very little damage.
Biting
is also another attack form. The weaker Slug Beasts are also the smaller, the
Purple creatures only 3 or 4 feet high and 1HD monsters. While the Red Slug
Beasts are up to 15 feet high and are 12HD monsters, possessing several
abilities, including the ability to cast spells.
They
are intelligent creatures capable of using tools but they wear no armor and use
no weapons except those they naturally possess. They are wonderful alchemists
and produce potions and balms of all sorts as well as poisons. They normally
keep these in vials made of bone (human and otherwise) or great golden metal
storage jars they craft from the living bodies of the weaker Slug Beasts.
There
are six known types of these creatures which project light along the primary
color (Purple, Blue, Green, Yellow, Orange, Red from weakest to strongest), but
it suspected that the Unseen Deity/Monster they worship projects a light that
cannot be seen by human eyes, and their young project a light that is also
invisible (Infrared and Ultraviolet respectively).
The
Great City of The Pit is vast and rests on a plane of existence inimical to
human life. There are no mountains but a vast jungle filled with living plants
surrounds the massive city on most sides and a wasteland of mud and fens with
some open expanses of thick yellow liquid are at its one edge. There are no vertebrate
creatures in jungle or wasteland, but life of sorts abound, with abominable
creatures of slime and plants that slither and wind like beasts through the
distorted and abhorrent growth of the jungle.
You are right. There IS an awful lot that could be done with that story. I look forward to reading more of your ideas. Thanks for sharing!
ReplyDelete
ReplyDeleteThanks! I am definitely under-utilizing all the material provided. I also want to try and capture some of the mystery he intended to convey so I will be returning to 'The People of the Pit' and expanding on the ideas.